Gratitude for the Penelope Nivens Award for Creative Nonfiction from The Center for Women Writers

I have such immense gratitude to The Center for Women Writers  and to Elissa Washuta for this award. The piece I wrote, “Madness is Remembering,” deals with my experiences of childhood sexual abuse, domestic violence, and antigypsyism. It was really fucking hard to write, and I wrote it like an exorcism. My friends, writers Misha Rai and Emily Alford (check out their work!), encouraged me to enter it into a competition, as did Victor Pachas (musician & artist– look him up too). Without their support it would have sat in the proverbial drawer, proverbial because I never print things out anymore and who even has a printer anyway.

The judge, Elissa Washuta, says this about the essay–

“In this exquisite essay, the narrator is wounded by the double­punch of past trauma compounded by a lover’s new inflictions: the failure to understand rape trauma, the acts that make old pain show up nearly ­new in the body, the incomprehensible violence. Employing an enchanting cadence, stunning figurative language, narrative tension so taut I forgot to breathe, and a bedrock layer of the history of violence inflicted upon Romani family members, the author infuses the page with the dread of intergenerational trauma that makes space for new wounds.”

I’m still floored and humbled– just, thank you.

Right now my essay is still unpublished, so I’m now in the process of finding it a home.

You can and should check out the other winners and honorable mentions here. Congratulations to everyone!

*Photography by Allison Nichols for Loverly and David’s Bridal

 

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My love letter to “Political Punch” and Gypsy poems

I don’t know if you read Juan Vidal’s NPR essay “Where Have All The Poets Gone?”— it’s a smart, well-intentioned lament of the lack of American political poetry since the Beat Poets. Many readers, myself included, respectfully and optimistically disagree. Perhaps, since all of the poets he mentioned were white men, Vidal’s scope was too small, because it seems to me that political poetry is thriving on the voices of the systemically oppressed rising-up. But I think Vidal and I both agree where it really counts– we need more political poetry in America and we need more people to read it and care.
In response to Vidal’s essay, Fox Frazier-Foley curated “Political Punch.” It’s a week-long series of diverse American political poets, featured at The The Poetry Blog in The Infoxicated Corner. The poets included thus far are CA Conrad with a poem about LGBT representation, Anne Barngrover with a poem about the rape of Daisy Buchanon, and Christopher Soto (aka Loma) with a poem about the need to revolutionize the prison system. These poets, whom I am honored to be listed among, are a reflection of the many types of poets who write their art and politics, who speak up, shake it up, and rise up. Vidal, by the way, has been very supportive of the endeavor and extremely kind.
Here’s the link to my Opre Roma-style political poems “Murder and Tradition” and “Transfiguration of the Black Madonna” http://www.thethepoetry.com/2014/09/infoxicated-corner-political-punch-poems-by-jessica-reidy/ “Murder and Tradition” is inspired by real events that transpired in Italy— Roma girls Violetta and Cristina really did drown, and that camp really was torched– it’s all too terrible. And I wrote “Transfiguration” at the Cambridge Writers’ Workshop Yoga and Writing Retreat, so all those craft talks, workshops, and inspiration exercises paid-off! It’s about the Romani Goddess/Saint Sarah (Kali Sara), and the non-Roma’s mythology of the Romani people. Click here for more about the Romani Goddess.
Picture taken by Sarah Sullivan during a Quail Bell Gypsy fashion shoot http://www.quailbellmagazine.com/the-unreal/photo-tale-free-spirits

Picture taken by Sarah Sullivan during a Quail Bell photo tale shoot for “Free Spirits”  http://www.quailbellmagazine.com/the-unreal/photo-tale-free-spirits