Brokelyn Poetry Feature

I’m so moved that Joanna Valente, a poet who I very much enjoy and the editor of Yes, Poetry, included me in her Brokelyn Poetry round-up this week alongside Joe Pan and Michael J Seidlinger. She selected lines from each poem she chose from us, and provided links to the full poem. For me, she chose my poem “In the Oven,” published by Luna Luna Magazine, which, content warning, is about sexual abuse and survival. It was a complete surprise that, best of all, introduced me to the work of a couple of great Brooklyn poets. I hope you enjoy her post!

 

Featured image by Lauren Mitchell, 2009

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Your Guide to a Smart and Not-Appropriative Halloween Costume

I’m re-sharing my “Halloween Savvy” tips in Quail Bell Magazine for coming up with a smart costume and not appropriating the shit out of marginalized cultures like Natives and Roma (or “Gypsies,” the racial slur we’re more commonly known by). Skip the Pocahottie mini-dress and Sexy Gypsy blouse and skirt, and put together something clever, which really is a much sexier way to play it after all. If you ever wondered why appropriative or exoticizing costumes matter, I also touch on that with some fascinating/upsetting history about the “sexy” stereotypes. Plus, I’ve got some ideas for if you want to dress up like a badass character or real person who isn’t of your race but you’re not sure how to proceed.

In the featured image is is my last costume, Little Red Riding Hood Who Killed the Wolf Herself. Taking an empowering, dark, or funny spin on a beloved folk story is always interesting and innovative, and it doesn’t hurt anyone or reinforce racist stereotypes. It’s just pure fun.

This year, I’m going to be a punk-rock unicorn, which is my take on Audre Lorde’s book, The Black Unicorn. Lorde is one of my favorite poets, and a self-described “black, lesbian, mother, warrior, poet.” It should go without saying that it would be crazy offensive and downright weird to try to make my skin darker to become Lorde. It’s much cooler to have my costume embody what I love about her– her writing. My dressed-in-black unicorn will also have a touch of Stormy’s horse Skydancer thrown in from Rainbow Brite because damn I loved her sassy thunder and lightning spitting hooves! I think Audre Lorde would be into that too.

Click here to read my article

Light Magic for Dark Times review on BUST

I love Lisa Marie Basile‘s new book, Light Magic for Dark Times. “Basile’s magic feels like a dip into The Artist’s Way for witches,” which is no surprise since you may already know her creative writing, and Luna Luna Magazine, which she runs and founded. The spells she writes benefit from her poetry, and the journaling and other reflective exercises help the reader heal and learn about themselves before they even light a candle.

While the book is geared toward femme spirits, Basile’s language and focus is mindfully intersectional and gender-inclusive, embracing of fluid and non-binary identities, and all bodies and body types. The focus is always on self-love and self-care, particularly for marginalized people who may feel ground-down in the day to day of our, lately dark, times. There are spells for healing burnout after social justice protests, trauma, chronic illness, grief, and discrimination, and as always, the focus is on increasing love and kindness in all of its forms. In short, bringing the light in.

To learn more about what I love about the book, her work in shadow magic, and the ins and outs of ritual, check out my review for BUST.com. I’m looking forward to revisiting this book for years to come, and I hope all you artists, witches, and wonderful sprites answer if it calls to you.

lisa

Illustration of the author in Light Magic for Dark Times