Mystic Lady: An Interview with Katelan Foisy on Wolfwych

I already loved this Wolfwych interview with Katelan Foisy before I noticed that she very kindly listed this blog as a reference for Romani folklore and culture. Foisy is an artist, witch, writer, model, fortune teller… she does all of it, and lives her life with an admirable sense of purpose and ritual. She’s also of Sinti heritage, like me, and one of the most delightful and generous people I’ve ever met. During the Romani Arts and Letters Conference at NYU, I gave a talk on the importance of her work and the work of Selma Selman in reconfiguring the archetype of the “Gypsy Woman,” and included the PowerPoint here: Portraits and Performativity. If you would like to read a thoughtful and beautifully crafted interview with her about her artwork, life, magical work, fortune telling, and reading list, then here you go, and you’re welcome. Enjoy! https://wolfwych.com/2017/07/20/mystic-lady-an-interview-with-katelan-foisy/

I’ve gotten some of my best divination from cut-ups and some very good practical advice. It rearranges the brain to see what isn’t there. I’m also a fan of working with technology to increase energy. We are creating magical worlds with our internet presences so when I’m doing a working, I will photograph parts of it, edit the image to enhance the feeling of the work and put it up online. I feel that the love and buoyancy that pours in from that helps to boost the energy within the working. It’s one of the reasons I take so much care in the aesthetics of the working. If each working itself is it’s one piece of art, the care put into each work becomes part of the magic in that particular working. This method is what works best for me but each practitioner will have their own method. For instance I work with land magic a lot. If I’m doing a working for immigration I will take that person with me on a journey and the we will walk the path of those that came before us. I believe we need to know the history of the land before we can work our magic there. That may be one thing that I find odd about some modern day practices and with people in general. We tend to forget our history but the real magic lies underneath the pavement and deep within the soil, it lies in land memory. –Excerpt from interview

Image by Katelan Foisy, featured in WolfWych

 

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Viktor Pachas and I Review Alex Mahgoub’s Play “Baba,” Plus Interview!

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The poster for “Baba”

On behalf of The Cambridge Writers’ Workshop, Viktor Pachas and I went to The New York Fringe Festival to see Alex Mahgoub’s critically-acclaimed one-person show, “Baba,” chronicling the true story of his father’s murder and life after the trauma. We were so glad we attended– the play skillfully navigates the tangle of loss, identity, masculinity, and sexuality, and then we were fortunate enough to score an interview with Alex on film, thanks to Alex’s generosity and Viktor’s videography expertise. It was so great to talk about the overarching themes of his performance, and Alex was full of life and intelligent things to say. Check out our review, “Baba’s Ghost,” and the video interview with Alex here, plus some wonderful pictures of Alex and his Baba. Alex also has a book in the works, #SelfieGeneration, so be on the lookout for that.

This was my first collaborative review, and what a lovely experience. Viktor and I make a pretty good team. I feel like if you can write something with another person without killing each other, that’s a win, and if you actually enjoy the process, that’s like a kitten crossing the finish line at an ice cream marathon. If you’re not familiar with him already, here’s Viktor’s impressive bio:

viktorViktor Pachas is a freelance videographer, illustrator, Spanish translator, and musician. Viktor produces videos for Cambridge Writers’ Workshop retreats and workshops, and is a contributor for their blog. After finishing his studies in Molecular Cell Biology at UConn, he began producing promotional videos for Singapore General Hospital in cooperation with Duke University/NUS while working as a Circadian Research Assistant. Studying Flamenco Guitar and performing in Granada, Spain, he made videos to market a chain of hostels in Andalusia and Morocco. Recently, Viktor shot material in Paris for David Shields’ upcoming movie Black Planet produced by James Franco. He currently lives in New York City and is an instructor for Outward Bound and Global Works. He performs solo as a singer/songwriter and is a drummer for A Thousand Ships when performing in the New England region. Viktor is currently working on illustrating a comic strip based on his travels.

You can listen to his music here: https://victorpachas.bandcamp.com/

Do you want to model? Are you an artist or a writer? ‘Cause Quail Bell might like to see you

The Quail Bell Crew seeks writer models for its signature Photo Tales. Our models may come in any shape, color, or size, but they must possess self-confidence. All shoots are produced and photographed by women, so no worries about the male gaze. You’re encouraged to write your own accompanying poem, flash fiction, or statement (because brains are sexy), and to select your own vintage or indie designer outfits. We like our models to be an equal part in the creative process. Contact us today and you might see yourself featured soon. http://www.quailbellmagazine.com/3/post/2014/03/good-advertising-models-for-photo-tales.html

Here’s mine! It’s an American-Roma style shoot with a vintage Gunne Sax dress and Indian vest from The Other Side Vintage in Tallahassee, green glass beads from Great-great grandmother Mathilde, and my poem. Photo Tale: Free Spirits

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Great-great grandmother Mathilde in her traditional Romani dance garb. Image from “Romani Fashion and the Politics of Dressing ‘Gypsy'” http://www.quailbellmagazine.com/3/post/2013/12/folkways-gypsy-soul.html

And here are my other Quail Bell Romani fashion adventures: “Real Gypsy Looks” and “Romani Fashion and the Politics of Dressing ‘Gypsy’